@Number 71

“We’re Here To Listen And To Work With You”

Posted by: danhartland on: November 27, 2010

Purposeful David is Purposeful

The developing view of David Cameron is as a reasonable pragmatist. To confirm this, one need only look at two recent BBC radio productions: 5 Days In May was a rather ponderous dramatisation of the coalition negotiations following the General Election, in which Nick Clegg was cast as a dithering bride, and Gordon Brown as the bombastic, dogmatic suitor. David Cameron, played with a hint of Hugh Grant by Samuel West, was the consensual new man, all understanding circumlocutions and soothing respectfulness. More interesting has been Number 10, in which Damien Lewis has played a bold and unideological Tory PM, a very thinly veiled Cameron stand-in, whilst various other thesps provide a West Wing-lite coterie of well-meaning but frustrated aides.

Both dramas could have easily taken their conception of Cameron and his coalition straight from David Laws’s new book, the rather less snappily titled 22 Days In May. Serialised in the Mail, Laws’s self-serving account of a glorious coming-together saves special spite for Ed Miliband, and depicts the Labour negotiation team not just as under-prepared – as Nick Robinson’s documentary on the topic suggestions – but actively mendacious (5 Days in May had Ed Balls bellowing at the Lib Dems about how they were stupid-heads – I exaggerate, but only a bit). Even Cameron’s humiliating climb-down after appointing Tory party photographers to the civil service payroll was spun as a pragmatist’s response to public outcry; even as student protests plunge the capital into gridlock, Cameron – like Blair before him – can pose, perversely, as peacemaker.

This is some considerable feat, and is achieved largely by force of personality. If Blair was warm and winning, though faintly studied and oleaginous, Cameron is cool but in control, though faintly aristocratic. Cameron’s strength, then, is his appearance to be driven by ends rather than means; his weakness will likely prove to be the very distance that approach implies. Fow now, though, what’s most interesting about his premiership is that, unlike Blair, he does not command his party: the radio dramas and reality alike depict, yes, a pragmatist – but one struggling to hold together a party often anything but.

Both Lord Young and Lord-to-be Flight have, in successive weeks, given voice to the right-wing passions and prejudices which animate Cameron’s party, to gasps of outrage and rapid rebuttals from Number 10. But this, too, is inevitably part of the PM’s public persona – the sense that he is constantly keeping the lid on the true motivations which lie beneath his party’s policy. This is a tension of public identity which Blair better managed to neutralise: all those ‘New Labour, New Danger’ smears didn’t stick. If Cameron can’t do the same (and it is this blog’s opinion, of course, that he can’t and shan’t), he won’t, alas, last as long as his forebear. Shame.

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71 is the number of an apartment we return to regularly in Whinfell Forest, Cumbria. We like it there.


‘We’ are Anna French and Dan Hartland. The Story and the Truth is a sort of inadequate catch-all term for what goes on here: we tend to talk about novels, history, food and fashion, politics and music, but there may also be photographs of soft toys and musicians. Stick around and see.

Words We Like

The Weird, ed. Ann and Jeff VanderMeer


An astounding work of collecting-as-art, this compendium of 800,000 weird words is easily one of the most consistent genre anthologies I have read. Heterodox yet focused, it is fated to be the canonical text of weird fiction studies for some time to come - and deservedly so. The first-rank stories here - and there are many, not a few - are not excellent weird fiction. They are simply some of the best 20th century writing available in any mode. Not without its faults - but that is, ahem, the nature of the beast. Essential.

Sounds We Like

Sonik Kicks, by Paul Weller


I haven't paid much attention to Weller - an artist who hangs heavy in my musical tutelage - since 2000's Heliocentric, an album of diverse interests which felt like a shot of crisp elegance in that year of Steps and 'N Sync. The records that followed it - particularly Illumination - were enough, however, to make those achievements a distant memory. There have been rumblings of a renaissance - 22 Dreams got great reviews - but only the sounds of Sonik Kicks have brought me back. Energetic, fierce and, best of all, creative, this sounds like a record from a much younger man. Weller has a lesson or two in him yet.

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Dan @ Twitter

  • My #OrangePrize reading careers towards the wire, and I struggle with Georgina Harding's "Painter of Silence": wp.me/pjoBO-R4 6 hours ago
  • Now it's "John Wesley Harding". 4 days ago
  • @CTD I suspect I was being goaded. You've listed my favourites, too. I will never get enough of the fiddle, natch. 4 days ago
  • @CTD Yes, love the vocal on that one. Though used to know someone who's fave Dylan song ever was Mozambique ... 4 days ago
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