@Number 71

Archive for September 2010

Emma Donoghue’s “Room”

Posted by: danhartland on: September 28, 2010

She moves. “Jack, there’s a lot of things in the world.” “Zillions?” “Zillions and zillions. If you try to fit them all in your head, it’ll just burst.” [Room, pg. 228] My Booker reading continues with Emma Donoghue’s Room, which I can’t help but view as a curious inclusion. It’s a sort of fictionalised misery [...]

Mr Ed

Posted by: danhartland on: September 25, 2010

Ed Miliband has spent his leadership campaign posing as the trendy supply teacher – all informal authority and ideas attractive but somehow received, for which he has a great deal of enthusiasm but possibly not the skill to implement. Having given the supply teacher a permanent contract, Labour now get to see whether he’s as [...]

Howard Jacobson’s “The Finkler Question”

Posted by: danhartland on: September 24, 2010

The Finkler Question has been good to me. I’ve been spending quite a lot of time in hospitals these last couple of days, and that enables long chunks of reading time. Thankfully, Howard Jacobson’s latest novel – short-listed for the Booker Prize, of course – has been intelligent, amusing, erudite company. It’s a beautifully composed [...]

Labour Leadership: Crunch Time

Posted by: danhartland on: September 21, 2010

The dilemma for the Labour party member in voting for their next leader has been simple: does one vote for success, or for purity? Both the Tories and the Liberal Democrats, in their most recent leadership elections, voted for success: neither Cameron nor Clegg hail from the most dominant wings of their party, yet both [...]

Fractal Geometry: Ian McDonald’s ‘The Dervish House’

Posted by: danhartland on: September 17, 2010

The place he lives, the dervish house; he never thought about it as more than a place to sleep, smoke, escape but it has a history, it has lives woven through it, it has holy men. [The Dervish House, pg. 206] Not that long ago, I sang the praises of Ian McDonald’s Cyberabad Days over [...]

“A Lousy, Ugly, Unjust World”: Christos Tsiolkas’s ‘The Slap’

Posted by: danhartland on: September 12, 2010

I should pause before opening another post with an observation about the Booker – quite how I managed to forget last year’s shortlist so totally as to think Brooklyn got on to it, I don’t know. One thing that is fresh in my memory, though, is this week’s announcement of the 2010 shortlist; and Christos [...]

Back Up In The Country: Ray LaMontagne

Posted by: danhartland on: September 7, 2010

Ray LaMontagne’s career has in some ways been one of self-restraint, if not outright self-denial. His debut album, Trouble, was a pared-down affair, a raw selection of country-soul confessionals made exceptional by a searing, tearing voice. Live, this is the quality which still most characterises his music – he seems at the microphone an almost [...]

‘Love and Summer’

Posted by: danhartland on: September 3, 2010

ETA: A basic assumption of this review has been rather conclusively blown out of the water in the comments: somehow, I’d managed completely to misremember 2009′s Booker shortlist. Go me! Still, Love and Summer is still a deeply decent read… Ever since John Self read and rated William Trevor’s Love and Summer last year, I’ve [...]


71 is the number of an apartment we return to regularly in Whinfell Forest, Cumbria. We like it there.


‘We’ are Anna French and Dan Hartland. The Story and the Truth is a sort of inadequate catch-all term for what goes on here: we tend to talk about novels, history, food and fashion, politics and music, but there may also be photographs of soft toys and musicians. Stick around and see.

Words We Like

The Weird, ed. Ann and Jeff VanderMeer


An astounding work of collecting-as-art, this compendium of 800,000 weird words is easily one of the most consistent genre anthologies I have read. Heterodox yet focused, it is fated to be the canonical text of weird fiction studies for some time to come - and deservedly so. The first-rank stories here - and there are many, not a few - are not excellent weird fiction. They are simply some of the best 20th century writing available in any mode. Not without its faults - but that is, ahem, the nature of the beast. Essential.

Sounds We Like

Sonik Kicks, by Paul Weller


I haven't paid much attention to Weller - an artist who hangs heavy in my musical tutelage - since 2000's Heliocentric, an album of diverse interests which felt like a shot of crisp elegance in that year of Steps and 'N Sync. The records that followed it - particularly Illumination - were enough, however, to make those achievements a distant memory. There have been rumblings of a renaissance - 22 Dreams got great reviews - but only the sounds of Sonik Kicks have brought me back. Energetic, fierce and, best of all, creative, this sounds like a record from a much younger man. Weller has a lesson or two in him yet.

Anna @ Twitter

Dan @ Twitter

  • My #OrangePrize reading careers towards the wire, and I struggle with Georgina Harding's "Painter of Silence": wp.me/pjoBO-R4 6 hours ago
  • Now it's "John Wesley Harding". 4 days ago
  • @CTD I suspect I was being goaded. You've listed my favourites, too. I will never get enough of the fiddle, natch. 4 days ago
  • @CTD Yes, love the vocal on that one. Though used to know someone who's fave Dylan song ever was Mozambique ... 4 days ago
  • Today is All Dylan, All The Time. Currently it's "Desire" ... 4 days ago

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