@Number 71

Reviewing Pains

Posted on: April 26, 2010

My review of this year’s Arthur C Clarke Award shortlist begins at Strange Horizons today. The second and concluding part, in which I pick my preferred winner, will go online on Wednesday.

Even more difficult than that decision, was the one – made in today’s installment – to exclude Adam Roberts’s Yellow Blue Tibia from the running. I enjoyed it greatly and think highly of it and its author – and start his new novel this week with more excitement than I have for the next work of any of the other shortlisted authors. But I have a kink for unity – not, naturally, the same thing as completeness – and, well … go read the review.

And on Wednesday, Part Two will make things ever clearer. He says.

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2 Responses to "Reviewing Pains"

V. interesting piece.

You’re quite right to exclude me if ‘unity’ is your criterion. I have a deeprooted suspicion of unity (it’s not, I agree, the same thing as completeness), which seems to me — increasingly, as I get older — oppressive and pernicious in almost all its incarnations.

The thing is, Adam, part of me suspects you’re right – and that you should add ‘dishonest’ to that list of adjectives. But the kink remains: what struck me reading the shortlist was how well, or not, each novel supported itself, or spread its weight evenly across its various surfaces. I’m still not sure I’m right about YBT – of the six novels, it is the one which most troubles my final reading of the shortlist.

Anyway. As I promise Mr Hubble in the comments to Review Part The First, more thoughts along these lines in tomorrow’s installment. Thanks for reading so far…

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71 is the number of an apartment we return to regularly in Whinfell Forest, Cumbria. We like it there.


‘We’ are Anna French and Dan Hartland. The Story and the Truth is a sort of inadequate catch-all term for what goes on here: we tend to talk about novels, history, food and fashion, politics and music, but there may also be photographs of soft toys and musicians. Stick around and see.

Words We Like

The Blind Man's Garden, by Nadeem Aslam


Aslam's fourth novel is that rarest of things, a focused picaresque. It has been criticised by the formidable Adam Mars-Jones for a failure of courage - and yet having read the novel cover to cover and word for word, I found myself more in agreement with the praise of Pankaj Mishra. In this story of two young men who travel, naively, to Afghanistan in the October of 2001, it is the very ambivalence of the resulting consequences which render its portrayal of history at the sharp end so memorable. We are used to hearing, from one side or another, the verities of black and white. In The Blind Man's Garden, Aslam paints in technicolour shades of grey. Essential.

Sounds We Like

The Stand-In, by Caitlin Rose


The ever-present temptation to be cooler-than-thou might have demanded I list Lord Huron or Keaton Henson in this space, and yet few records I've been listening to this month have had the sheer charisma of Caitlin Rose's third LP. There's a cleverness - even a slickness - to how Rose balances the cache of retro country with the accessibility of the modern pop sound here, and, if that sounds like a demerit, then the way in which this sly production always works in support of often fabulous songwriting is certainly not. They do make 'em like they used to, after all.

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