@Number 71

Archive for April 4th, 2010

Mike Smithson almost nailed it this week with a simple question:  Is speed of rebuttal going to be decisive? The internet makes campaigning more febrile than ever, that much is certain; but what does Smithson mean by ‘decisive’? The week has seen two battles in which blows have been traded so rapidly that the main news bulletins have struggled to keep up: the first, which revolved around Labour and Tory plans for National Insurance, and whether business was right or not to back the latter, resembled a rapid game of Stop The Bus; the second, in which Labour said David Cameron was like Gene Hunt, and Cameron said thank you, probably disappeared under the radar altogether. Most people are not plugged in to the constant rebuttal feed; by the time they get their news at 6pm or 10pm, the story has gone through so many iterations that its muddled.

These are issues the parties will need to finesse if either of them are to win a decisive victory on any given topic. It has been a bad week for Labour, who are back down to a double digit deficit, but stories like today’s headline Observer piece will still have traction, if they can be given room to breathe. The Tories have been successful not just at defensive stifling, however, but offensive policy announcement. In an interview in today’s Telegraph, William Hague promises new cancer drugs and an opt-out from the European Public Prosecutor programme, both of which are just the right side of emotive and offer the much longed for clear blue water at relatively little actual cost. Labour need to match this sort of effort, whilst underlining their essential superficiality; calling Sir Stuart Rose deluded doesn’t quite cut it.


71 is the number of an apartment we return to regularly in Whinfell Forest, Cumbria. We like it there.


‘We’ are Anna French and Dan Hartland. The Story and the Truth is a sort of inadequate catch-all term for what goes on here: we tend to talk about novels, history, food and fashion, politics and music, but there may also be photographs of soft toys and musicians. Stick around and see.

Words We Like

The Blind Man's Garden, by Nadeem Aslam


Aslam's fourth novel is that rarest of things, a focused picaresque. It has been criticised by the formidable Adam Mars-Jones for a failure of courage - and yet having read the novel cover to cover and word for word, I found myself more in agreement with the praise of Pankaj Mishra. In this story of two young men who travel, naively, to Afghanistan in the October of 2001, it is the very ambivalence of the resulting consequences which render its portrayal of history at the sharp end so memorable. We are used to hearing, from one side or another, the verities of black and white. In The Blind Man's Garden, Aslam paints in technicolour shades of grey. Essential.

Sounds We Like

The Stand-In, by Caitlin Rose


The ever-present temptation to be cooler-than-thou might have demanded I list Lord Huron or Keaton Henson in this space, and yet few records I've been listening to this month have had the sheer charisma of Caitlin Rose's third LP. There's a cleverness - even a slickness - to how Rose balances the cache of retro country with the accessibility of the modern pop sound here, and, if that sounds like a demerit, then the way in which this sly production always works in support of often fabulous songwriting is certainly not. They do make 'em like they used to, after all.

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