Posted by: danhartland on: January 13, 2010
My review of Guy Ritchie’s Sherlock Holmes appears at Strange Horizons today. Ritchie’s timing, of course, couldn’t have been better. I would always have been interested in his film, and all too willing to compare it to the stories and to screen Holmeses past, too; but in the wake of last year’s project his movie [...]
71 is the number of an apartment we return to regularly in Whinfell Forest, Cumbria. We like it there.
‘We’ are Anna French and Dan Hartland. The Story and the Truth is a sort of inadequate catch-all term for what goes on here: we tend to talk about novels, history, food and fashion, politics and music, but there may also be photographs of soft toys and musicians. Stick around and see.
The Weird, ed. Ann and Jeff VanderMeer
An astounding work of collecting-as-art, this compendium of 800,000 weird words is easily one of the most consistent genre anthologies I have read. Heterodox yet focused, it is fated to be the canonical text of weird fiction studies for some time to come - and deservedly so. The first-rank stories here - and there are many, not a few - are not excellent weird fiction. They are simply some of the best 20th century writing available in any mode. Not without its faults - but that is, ahem, the nature of the beast. Essential.
Sonik Kicks, by Paul Weller
I haven't paid much attention to Weller - an artist who hangs heavy in my musical tutelage - since 2000's Heliocentric, an album of diverse interests which felt like a shot of crisp elegance in that year of Steps and 'N Sync. The records that followed it - particularly Illumination - were enough, however, to make those achievements a distant memory. There have been rumblings of a renaissance - 22 Dreams got great reviews - but only the sounds of Sonik Kicks have brought me back. Energetic, fierce and, best of all, creative, this sounds like a record from a much younger man. Weller has a lesson or two in him yet.
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Chatter @#71