@Number 71

“You Have Overdone It On This Occasion.”

Posted by: danhartland on: November 4, 2009

“I don’t think that any of my adventures with Mr. Sherlock Holmes opened quite so abruptly, or so dramatically, as that which I associate with The Three Gables.”

The Three Gables

"He swung a huge knotted lump of a fist under my friend’s nose. "

The Three Gables in truth starts not so much with a bang as a sterotype: Steve Dixie, the “negro” who barges in on Holmes and Watson and proceeds to inflict upon them threats of violence and tortured minstrel grammar, is one of the most embarrassing characters in the canon – and quite at odds with Conan Doyle’s earlier treatment of African-Americans in The Yellow Face (although admittedly closer to his treatment of Tonga in The Sign of Four). We only need Dixie to burst into a rendition of Old Man River and all would be complete.

This incongruity is part of the fabric of the whole story – another which, along with The Mazarin Stone, Meyer’s Watson will dismiss as a forgery. It would be happy if such were the case: many of the stories collected in The Casebook, as the last stories an increasingly weary Conan Doyle would every write about Holmes, reek of fatigue and laziness. So, for instance, the central story here, revolving as it does around femmes fatale, sex and impropriety, feels far more like a story of the period in which it was written than the one in which it was set; likewise, Holmes’s presence is thin and at times poorly characterised – the moment he pulls a woman into a room by the arm feels most unlike the gallant-if-aloof detective we’ve come to know. Small details, too, echo this larger malaise – Lucerne is not in Italy.

“I suppose I shall have to compound a felony as usual,” Holmes breezily declares at the story’s end, and as he often does lays down his own particular – and extra-legal – kind of justice. The mystery preceding this dispensation, however, is so potted and ill-constructed (Conan-Doyle has done many ‘missing document’ mysteries, but this is by far his most soft-headed) that the reader has long since given up. It simply doesn’t feel like our Holmes. 48 short stories into our acquantance with him, this is a little much to take.

1 Response to "“You Have Overdone It On This Occasion.”"

[...] gentleman around him is he depicted as being. But Tonga isn’t the only one: in ‘The Three Gables‘, a “huge negro” with the improbable name of Steve Dixie barges into [...]

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71 is the number of an apartment we return to regularly in Whinfell Forest, Cumbria. We like it there.


‘We’ are Anna French and Dan Hartland. The Story and the Truth is a sort of inadequate catch-all term for what goes on here: we tend to talk about novels, history, food and fashion, politics and music, but there may also be photographs of soft toys and musicians. Stick around and see.

Words We Like

The Weird, ed. Ann and Jeff VanderMeer


An astounding work of collecting-as-art, this compendium of 800,000 weird words is easily one of the most consistent genre anthologies I have read. Heterodox yet focused, it is fated to be the canonical text of weird fiction studies for some time to come - and deservedly so. The first-rank stories here - and there are many, not a few - are not excellent weird fiction. They are simply some of the best 20th century writing available in any mode. Not without its faults - but that is, ahem, the nature of the beast. Essential.

Sounds We Like

Sonik Kicks, by Paul Weller


I haven't paid much attention to Weller - an artist who hangs heavy in my musical tutelage - since 2000's Heliocentric, an album of diverse interests which felt like a shot of crisp elegance in that year of Steps and 'N Sync. The records that followed it - particularly Illumination - were enough, however, to make those achievements a distant memory. There have been rumblings of a renaissance - 22 Dreams got great reviews - but only the sounds of Sonik Kicks have brought me back. Energetic, fierce and, best of all, creative, this sounds like a record from a much younger man. Weller has a lesson or two in him yet.

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  • My #OrangePrize reading careers towards the wire, and I struggle with Georgina Harding's "Painter of Silence": wp.me/pjoBO-R4 6 hours ago
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  • @CTD I suspect I was being goaded. You've listed my favourites, too. I will never get enough of the fiddle, natch. 4 days ago
  • @CTD Yes, love the vocal on that one. Though used to know someone who's fave Dylan song ever was Mozambique ... 4 days ago
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