@Number 71

“One Long Effort to Escape from the Commonplaces of Existence”

Posted by: danhartland on: January 7, 2009

I had called upon my friend, Mr Sherlock Holmes, one day in the autumn of last year, and found him in deep conversation with a very stout, florid-faced, elderly gentleman, with fiery red hair.

"He curled himself up in his chair."

"He curled himself up in his chair."

The Red-Headed League is not a flawless story. Just a few pages on from that opening sentence, Watson declares that April 27th was just two months prior, placing the story in early summer rather than autumn. There’s something lazy about it, then, and yet this early tale remained a favourite of many, including the author himself.  In part, this is no doubt down to its memorable conceit: a pawnbroker responds to a newspaper advertisement calling for red-headed men to attend a building on Fleet Street. He is asked to work at the organisation’s office for four hours a day, for the purposes of copying out the Encyclopedia Britannica, and never to leave his room whilst he does so. For this, he is paid four pounds a week. When, after 30 pounds’ worth of copying, the office is closed down unceremoniously, the pawnbroker visits Holmes.

“For strange effects and extraordinary combinations we must go to life itself,” Holmes declares whilst introducing the case to Watson, “which is always far more daring than any effort of the imagination.” Jabez Wilson, the pawnbroker in question, is nevertheless a strange invention indeed: he is something of a caricature, with fiery red hair, a plump figure, and a credulous disposition. Watson explicitly associates him with London tradesman, whom are for him all of a type: “obese, pompous, and slow.” Again, the laziness of all this is unquestionable, but it nevertheless makes for just the entertaining diversion Holmes requires.

The great detective is indeed in exuberant mood here, perhaps reflecting the at first amusing and subsequently relatively simple nature of the problem with which he is presented. Jones of Scotland Yard, called into the case by Holmes, remarks archly of the consulting investigator  that, “He has the makings of a detective in him.” And there’s something in this: with his three pipe frippery, his concert sojourns, and his laughing in the face of clients, Holmes is here just the amateur he will later accuse the Met’s finest of being. No crime is committed in this story, though Holmes admittedly narrowly prevents one. In the previous tale, too, no law was broken. Can Holmes yet properly be called a detective?

Perhaps not. Rather, he is a thrillseeker of sorts, a problem-solver, a dilettante. “It saved me from ennui,” he shrugs of Wilson’s problem once it has been dispatched with. “Alas, I already feel it closing in on me!” The congratulations he gives to his adversary here, the Eton-educated criminal genius John Clay (“the fourth smartest man in London”), suggests little of the detective’s calling as other mystery writers – and other mystery writers’ characters – may have understood it. In truth, it shares more with the ego of the detectives featured in David Simon’s cutting-edge, and thoroughly unsentimental, The Wire, in which the police are seen to be more interested in showing themselves smarter than the criminals than they are in the evils of the crimes themselves.

There is the makings of a great detective in The Red-Headed League; if he is not yet that, the early Sherlock Holmes is still perhaps ahead of his time.

5 Responses to "“One Long Effort to Escape from the Commonplaces of Existence”"

[...] already linked this approach, unusual for a character in detective fiction, to the very modern cop show, The Wire. [...]

[...] story here becomes a sort of Red Headed League Lite, with Pyson fobbed off with a pointless task – in this case, going through a Directory of [...]

[...] — Sir Arthur Conan Doyle, spoken by Sherlock Holmes in The Red-Headed League [...]

[...] ruse is quickly seen through by Holmes (long inured to the lure of unlikely fortune): “I was wondering, Watson,” he says in the mischievous form he spents much of this [...]

[...] ruse is quickly seen through by the detective (long inured to the lure of unlikely fortune): “I was wondering, Watson,” he says in the mischievous form he spents much of this [...]

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Connecting to %s

71 is the number of an apartment we return to regularly in Whinfell Forest, Cumbria. We like it there.


‘We’ are Anna French and Dan Hartland. The Story and the Truth is a sort of inadequate catch-all term for what goes on here: we tend to talk about novels, history, food and fashion, politics and music, but there may also be photographs of soft toys and musicians. Stick around and see.

Words We Like

The Weird, ed. Ann and Jeff VanderMeer


An astounding work of collecting-as-art, this compendium of 800,000 weird words is easily one of the most consistent genre anthologies I have read. Heterodox yet focused, it is fated to be the canonical text of weird fiction studies for some time to come - and deservedly so. The first-rank stories here - and there are many, not a few - are not excellent weird fiction. They are simply some of the best 20th century writing available in any mode. Not without its faults - but that is, ahem, the nature of the beast. Essential.

Sounds We Like

Sonik Kicks, by Paul Weller


I haven't paid much attention to Weller - an artist who hangs heavy in my musical tutelage - since 2000's Heliocentric, an album of diverse interests which felt like a shot of crisp elegance in that year of Steps and 'N Sync. The records that followed it - particularly Illumination - were enough, however, to make those achievements a distant memory. There have been rumblings of a renaissance - 22 Dreams got great reviews - but only the sounds of Sonik Kicks have brought me back. Energetic, fierce and, best of all, creative, this sounds like a record from a much younger man. Weller has a lesson or two in him yet.

Anna @ Twitter

Dan @ Twitter

  • My #OrangePrize reading careers towards the wire, and I struggle with Georgina Harding's "Painter of Silence": wp.me/pjoBO-R4 6 hours ago
  • Now it's "John Wesley Harding". 4 days ago
  • @CTD I suspect I was being goaded. You've listed my favourites, too. I will never get enough of the fiddle, natch. 4 days ago
  • @CTD Yes, love the vocal on that one. Though used to know someone who's fave Dylan song ever was Mozambique ... 4 days ago
  • Today is All Dylan, All The Time. Currently it's "Desire" ... 4 days ago

Dan's Latest Flickr Photo

DSCF7819a

More Photos

 

January 2009
M T W T F S S
« Dec   Feb »
 1234
567891011
12131415161718
19202122232425
262728293031  
Follow

Get every new post delivered to your Inbox.

Join 34 other followers